Allan GIDDY

Zephyr

wind turbine, battery, electronics

Zephyr paired with Erin Schloeffel’s Sonus in NOX Night Sculpture Walk 2021, Randwick, Sydney

My work Zephyr is a wind turbine sensitised to play one sound for each of 16 wind directions in a live response to the changing breeze. This self-powered, wind-responsive ‘instrument’ is positioned near, and calibrated for, compatibility with Erin Schloeffel’s sound boxes, Sonus. (Erin and I are the drone band Bay of Malaise, streaming on all music platforms.)

‘Night Swimmer’

projected video (1.9 seconds, looped)

Night Swimmer installed in Clyde meets Elbe, Cuxhaven, Germany (2013)

In my earlier work Night Swimmer, a Sisyphean swimmer toils relentlessly against the current. His single stroke, trapped in an endless glitch of video, pulls a moment into a string of moments, into a night of moments. This capsule of time, his personal bubble of ‘nowness’, ends only with each sunrise.

Allan has worked with alternative energy systems in his sculpture and installation practice for almost three decades, and has exhibited extensively here and around the world. Allan is the Founding Director of the Environmental Research Institute for Art, UNSW, has curated 10 large public exhibitions, and his work features in Alex Nathanson’s recently published book, A History of Solar Power Art and Design (2021), which provides an international overview of the field. He has two permanent public commissions in Sydney: Weather Cranes (Sydney Olympic Park) and Earth v Sky (Bicentennial Park, Glebe), is a past recipient of the Helen Lempriere (then NSW) Travelling Art Scholarship, and has been awarded many grants for his artworks and curation. Allan lives and works on the lands of the Gadigal and Bidjigal peoples of the Eora Nation. See allangiddy.org

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